Tag Archives: art

(Art Puppets & Middle East History) Cabaret Crusades (Wael Shawky)

Puppets from Wael Shawky’s three-part video series Cabaret Crusades are here on view at the Met Breuer. I’m wondering about the relation between visual art and history (it could just as well be about religion and history) in a body … Continue reading

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(Abstraction) Extreme Illusionism and Detailed Rendering (Vija Celmins)

Getting back to work about my impressions about some exhibitions that have since come and gone, this one being Vija Celmins: To Fix the Image in Memory. Vija Celmins  (pronounced VEE-ya SELL-mins) is one of those artists, women, whose career … Continue reading

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(Diminutive) Ancient Judahite Art (Tel Motza Temple)

Not gods or god-like are these diminutive little figures from the Tel Motza temple site in the Judean Hills, in close proximity to Jerusalem. One can only speculate if similar figures were on hand at the Jerusalem temple site during … Continue reading

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(Rome Pieces) On the Wall & De-Material (Richard Tuttle)

About these images, one could create a spiritual allegory about the appearance of the presence of a god in the world. The Rome Pieces by Ricard Tuttle are discrete little things. The humble mark made of graphite lines and cut … Continue reading

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Visual Cues for Jewish Philosophy (Contemporary Art After the Realism of Revelation & Redemption of German Expressionism)

After “revelation and redemption” in the modern German Jewish thought of Buber and Rosenzweig came “authority and law.” Both traded upon the idea of overwhelming power, with strong commitments to the idea of “realization,” i.e. “realized presence,” But somewhere, “the  … Continue reading

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(Posthuman Catalogue) Jewish Art & Aesthetics of Judaism

Stepping back at the long arc of Jewish art in tandem with the history of Jewish thought gives to view a kind of cataloge. Included are black inky letters their script and configuration, rosettes and arabesques and other ornamental figures, … Continue reading

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OOF (Ed Ruscha) (New MoMA)

Ed Ruscha, OOF, 1962 (reworked 1963); oil on canvas “The single word, its guttural monosyllabic pronunciation, that’s what I was passionate about,” Ruscha has said of his early work. “Loud words, like slam, smash, honk.” The comic-book quality of these … Continue reading

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