- Zachary Braiterman is Professor of Religion in the Department of Religion at Syracuse University. His specialization is modern Jewish thought and philosophical aesthetics. Facebook | Twitter | Academia.edu.
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Recent Posts
- (Antique Foodways) Idle Talk (Ecclesiastes Rabbah)
- Quarrel Between Ancients and Moderns (Strauss and Fellini)
- (Social Space) Sukkot (Henri Lefebvre)
- (Lachrymose) Yom Kippur (Target)
- (Rabbi Akiva) Gemar Tov (Clean Water)
- Teshuva Love-Sick (Maimonides)
- Friends, Enemies, and Fish (Shana Tova)
- Trump, Rudy, Sam, and Volodymyr
- (Jewish Emancipation) Teaching Marx & On the Jewish Question
- De-Realized Social Space in Central New York
- (Horrid Ideas) The Tikvah Fund & The Racist Right in Israel
- (Idea & History) Hermann Cohen After Marx
- (Aversion & Affection) Reading for Gender in Rosenzweig
- (No Country for Old Women) Gender & Rosenzweig & Jewish Philosophy (Special Edition Bamidbar)
- (Shas) Religion & State (Israel Elections II 2019)
- (Human) Nationality, Ethnicity, Religion (Elections in Israel 2019)
- (Triptych) From Dark Floor to Bright Light (Tall Trees Tinker Falls)
- Deer Coming Down The Hill & Crossing the Street (Syracuse)
- Syracuse Backyard Green Hill
- A Beautiful Circle (5, no, 6 Melancholic Thoughts From and After the New York State Fair 2019)
- (God-Like) Sleeping Heifer (New York State Fair 2019)
- (Job Opening) Phyllis Backer Professor of Jewish Studies (Judaism)
- Critique Image Politics Reading Group (Syracuse University)
- [Please Don’t Insert Tasteless Holocaust Joke Here] [New York State Fair 2019
- (Trump Trade Wars) The Cows Are Gone (New York State Fair 2019)
- (Nighttime Dance) Machine Parts in Motion (New York State Fair 2019)
- Heterotopia (New York State Fair 2019)
- Talmud & The Casuistic Style (Shlomo Deshen & the Jews of Morocco)
- Holocaust Objects Are Small (Auschwitz at the Museum of Jewish Heritage)
- Tisha B’Av Lament (Reading Lamentations Rabbah)
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Monthly Archives: January 2018
Black Lines Lift Off From Grayish Space (Resurrection) (Michelangelo)
Put in conversation with the many lavish tombs that Michelangelo designed for Medici and other Italian patrons is the resurrection idea. Now showing at the Met, the drawn studies for the huge Last Judgement fresco at the Vatican come towards … Continue reading
(Entombment) Drawing Jesus Off the Cross (Michelangelo)
In the late 1520s, Michelangelo draws the heavy Jesus off the cross in a blur of orange chalk. Study for a Descent from the Cross (or Entombment) is now at the big Michelangelo show at the Met. In the drawings, as … Continue reading
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Tagged art, body, Christianity, Michelangelo, Museums & Galleries
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Father God’s Louche Body Posing (Michelangelo Drawing)
I’ll be posting some comments and what were for me highlights at the big show of Michelangelo drawings at the Met, but for now I wanted to share these two, included in a separate section on studies for the Sistine … Continue reading
Baroque Nipple (David & Goliath) (Guido Cagnacci)
Deciding not to do departmental paperwork today, I went to the Met to see the Michelangelo and Hockney shows. Wandering around on my way out I stepped into the main foyer of the European galleries to meet this fetching baroque … Continue reading
Fact & Freud (The Totemic Father & Origin of Religion)
Something I realized last semester working through Totem and Taboo with graduate students runs counter to the usual argument that Freud had no evidence with which to posit totemism as the first form of religion, and to speculate that the … Continue reading
Philip Roth (Ecce Homo)
Maybe it’s not much of an interview, but I’m still carrying around this bit with Philip Roth here in the New York Times Book Review. What I carry away is a form of expression entirely devoid of illusion regarding race, … Continue reading
New Materialism and the Study of Religion (Manuel Vásquez)
Manuel Vásquez’s More Than Belief: A Materialist Theory of Religion has pride of place in the fairly recent materialist turn in Religion Studies. The three keyterms are embodiment, emplacement, and practice (p.325). The force of the title is to take … Continue reading
