Tag Archives: cinema

(Pasolini) Hardscrabble Religious Image (The Gospel According to St. Mathew)

I think one could reasonably argue that in modern art, including cinema, including cinema that touches upon “the spiritual in art,” the background frames are more important than the figures operating on the foreground. The ones that grabbed me most … Continue reading

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A Christian-Pagan Philosophy of Life (“What Now? Remind Me”) (Joaquim Pinto) 

Joaquim Pinto’s Portuguese language film What Now? Remind Me is too big a film to lend itself to a narrative or scene-by-scene exposition. Along with a conversation with the director, it was screened as a plenary session at “The Place … Continue reading

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The Place of Religion in Film (Islam & Judaism) (Conference Notes)

Here are some quick notes from the recent Place of Religion in Film conference at Syracuse, organized by my friend and colleague Gail Hamner. What caught my attention was the prominence of Jews and Muslims, especially in relation to gender, in … Continue reading

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(Conference) The Place of Religion in Film (Syracuse University)

CONFERENCE SCHEDULE MARCH 31 – APRIL 1 2017 Friday 9 – 10:40 a.m. (3) Panel 1 Reinhartz, Religion, Body and Place inFélix et Meira (Quebec, 2014) Shenker, That made me a woman: On body and gender representations in Israel’s religious-community films-making … Continue reading

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Junction 48 (Tamer Nafar)

Went to the JCC on the Upper West Side to see Junction 48, an Israeli Palestinian film co-written by Tamer Nafar and Oren Moverman and directed by Udi Aloni. At turns biting and sentimental, the movie is a biting and … Continue reading

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Self-Involved (A Tale of Love and Darkness)

A Tale of Love and Darkness, the memoir by Amos Oz closely intertwines personal trauma of and history, in this case the establishment of the State of Israel in 1948. In the memoir, the novelist deftly shifts between background and … Continue reading

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Sausage Party & Gnostic Techno Religion

(SPOILER ALERT!) It seems like there’s no way to shake off religion in popular American film, even at its most impious and irreligious. The narrative sense of a satisfactory end won’t allow for it. Sausage Party could have concluded this … Continue reading

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