Tag Archives: Museums & Galleries

Vibrant Matter of Painted Objects (Yoshiaki Mochizuki)

Wandering around Chelsea last summer, we stumbled into Marlborough Contemporary and got to see Palenville, a solo show by Yoshiaki Mochizuki. It was not immediately clear what these things are. Jewel-like things, they turned out to be paintings. They are … Continue reading

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(Lachrymose) Floating Jews and Other Black Squares (Chagall, Lissitzky, Malevich)

O Me O My, I’ve been lachrymose, this time at the Jewish Museum having seen Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922. The exhibit is super cool, showing art made by Chagall with these two masters of the … Continue reading

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Hunger Art (Chaim Soutine)

“Still Life with Herring” sounds like a Jewish spoof on the French fine art tradition. From the same milieu of Russian Jews in Paris, Chaim Soutine is the anti-Chagall. There is nothing dreamy about his work. There is no lift … Continue reading

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Wild Precarious Life (Cecilia Vicuña)

This recent show of paintings, sculptural works, and installation by Cecilia Vicuña conjures together feminist cosmologies of raw and dyed wooliness, wild animal figures, and the drift of precarious forms. The painted figures are seers. Protective, they represent resistant political forces of … Continue reading

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Placing Memory (Gal Cohen & Zac Hacmon)

Some photos of paintings by Gal Cohen and sculpture by Zac Hacmon from their recent and thoughtful two-person show downtown on the Lower East, Placing Memory. With Hadera, Israel as their critical touchstone, the paintings explore the evisceration of the … Continue reading

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Posthuman (Michal Rovner) Evolution

Michal Rover’s latest show at Pace, Evolution, is hardcore posthuman. Viewed from the chilly distance of a desert, the human is seen reproduced and submerged in a collective mass of de-realized figures on the move going nowhere, submerged in technology, across … Continue reading

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(Synthesis of Intuitions) Philosophy Art Race Religion (Adrian Piper)

A series of black and white photographs, Food for the Spirit (1971) documents the artist and philosopher Adrian Piper, holed up and isolated at home, having thrown herself one summer into a close reading of Kant’s Critique of Pure Reason.  … Continue reading

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