Tag Archives: talmud-midrash

Narrative Powers of Women & Failure of Cultural Translations (Galit Hasan-Rokem at Syracuse) (April 11)

Honored to announce this year’s annual B.G. Rudolph Lecture sponsored by the Jewish Studies Program at Syracuse University.

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Affect, Sentiment & Other Aspects of Rabbinic Theology (Solomon Schechter)

Somewhere in the San Francisco Bay Area, I must have bought the handsome 1961 paperback edition of Solomon Schechter’s 1909 Aspects of Rabbinic Theology from a used book shop when I was in graduate school. It then sat on my … Continue reading

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Pagan Rabbis of the Mishnah (Jacob Neusner)

Against history and messianic end-times, Jewish philosophy might want to take note that at the conclusion of a discussion of the Order of Appointed Seasons (Seder Moed) of the Mishnah, Jacob Neusner describes these pagan rabbis. Their world picture is … Continue reading

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(Cinema of Talmud) Norman: The Moderate Rise and Tragic Fall of a New York Fixer (Joseph Cedar)

Riffing gently off the title of Pasolini’s essay “Cinema of Poetry,” let’s call Joseph Cedar’s most recent release an exercise in the “cinema of Talmud.” To be sure, Norman has to be viewed with an eye towards the narrative arc. … Continue reading

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Talmud & Culture & Nature (Note from Conference at Bard College)

Representing “philology,” Shai Secunda presided over a truly special day of talks at Bard College devoted to the theme of Talmud and its place in relation to the humanities. Excellent papers and presentations by junior and senior colleagues brought Talmud … Continue reading

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(Conference) Make Talmud New (Bard College)

    “Make it New” New Possibilities for Classical Jewish Texts in Scholarship and Culture Bard College, April 26, 2017 Sponsored by Bard Jewish Studies, Religion, Hebrew, Anthropology, Historical Studies, Literature, Theater and Written Arts Programs, with the generous support of … Continue reading

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Talmud & Philosophy Grad Conference (Yale)

Kudos to the conference organizers and participants including the graphic design genius who put The Thinker inside the gates of the now-iconic frontispiece of the Babylonian Talmud.

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