Elie Wiesel & His Critics (Post-Holocaust Theology)

Sighet

(Sighet after the deportation of the Jewish ghetto in 1944)

With either impatient snark or without a shred of decency, self-defined iconoclasts are taking easy shots against Wiesel and his legacy in the instantaneous wake of his death. None of the arguments are new. Indeed, the criticism of the Holocaust industry represented by Wiesel has itself become something of its own cottage industry upon which academic careers have been built. At its worst the criticism is full of self-righteous and unsympathetic fury by far removed critics. Against a certain form of Jewish memory, the shots taken by the critics are themselves a-historical in their refusal to understand the rhetorical and conceptual moves made by Wiesel and others who directly suffered the event, who survived the event, and who were the mediators of its first impact onto the larger cultural consciousness in the west in the 1950s, 1960s, and early 1970s.

Here I want to focus on the “theological” question. In particular, the critics condemn Wiesel for turning the Holocaust into a religious fetish. The critics don’t like the idea that something like the problem of evil might in fact be “incomprehensible,” or that our conventional language might come up short before it. This was a point made about ordinary language not just by Wiesel, but also by Primo Levi about language in the camp and Adorno about bourgeois lyric poetry. But what the critics really don’t like is Israel, the contempt and rage against is barely concealed if at all. To say that  Wiesel and so many of his generation turned Israel into a god, an idol, is to completely miss the point that for them Israel turned out to be more reliable than God. It is also to miss the point, the terrible logic of precarity, that for them, Israel represented not some religious triumph and vindication, certainly not a vindication of God, but a very small and precarious human solace.

What the critics don’t even try to attempt to understand is how, historically, the Holocaust and its first memory rose up not as a theological figure (as the critics claim), but as an anti-theological figure, a sharp and caustic rebuke that flew straight into the face of what was taught to be the workings of a good and just, a merciful God, an obscenity which the establishment of the State of Israel did nothing to resolve. As best as they could, they understood that “Auschwitz” represented a primary moral, philosophical, and theological challenge. Regarding the language of unspeakable suffering, pray tell if anyone thinks he or she has today and at long last with some cheap theory found the master key with which to unlock and “understand” the mystery of human depravity that hangs over the Holocaust and its memory, the pall it casts on everything divine and human.

About zjb

Zachary Braiterman is Professor of Religion in the Department of Religion at Syracuse University. His specialization is modern Jewish though and philosophical aesthetics. http://religion.syr.edu
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9 Responses to Elie Wiesel & His Critics (Post-Holocaust Theology)

  1. Does the Holocaust pose bigger problems for language and theology than other mass murders?

    • zjb says:

      Depends, but this is a huge black hole of a question. Scale and technology are central issues related to modernity that are tagged by those who argue that the Holocaust poses unique philosophical/theological problems. The problem is when these arguments turn into arguments about comparative catastrophe, at which point the discussion heads south.

    • zjb says:

      …In terms of Judaism, one can say that many of the same responses in the post-holocaust literature play off themes in biblical and rabbinic traditions that got buried in the medieval rationalist tradtiion (themes like protesting divine providence and judgment). But these constellate with a particular and unparalled force in the post-Holocaust literature that are quite unique in Jewish intellectual history. For what it’s worth, I write about this in (God) After Auschwitz

  2. Thank you. When you write, “the Holocaust and its first memory rose up not as a theological figure (as the critics claim), but as an anti-theological figure, a sharp and caustic rebuke that flew straight into the face of what was taught to be the workings of a good and just, a merciful God” – this is something that Wiesel himself wrote about in Night and apparently even more sharply in the Yiddish and Hebrew versions of the book. (I don’t know Yiddish, so I can’t read that version – I wish someone would translate it into English).

  3. ej says:

    i would say we are making progress in understanding the nature of the Nazi depravity. It’s obscurantist to believe that all the studies of the inner lives of Nazis, the situating the Holocaust in a larger context of the tens of millions killed in WW2 and the detailed history of what happened lead us no closer than Wiesel’s “It’s all a mystery. We must be silent!” The Wiesel thesis must explain why the Holocaust is a non-natural event, unlike all else that has happened.

    • zjb says:

      did Wiesel ever condemn Holocaust Studies?? the more simple point is that there are certain limit points where silence is the right response

      • dmf says:

        humility (and a deep respect for the suffering of fellows) in the face of complexity is certainly a worthy goal/mode but the combination of a call to silence and at the same time a kind of speaking (morally) in the name of is more dubious.
        Yer highlighting of “certain limit points” seems vital and in keeping with the pragmatism (philosophically speaking) of many of the modern American thinkers you showcase here, a more Wittgensteinian sensibility of particularity and contexts.

      • ej says:

        What is one to be silent about? Why God was absent? Why the evil came about? We are not talking of reading a paper in the middle of a memorial service.

      • zjb says:

        sometimes the words just stop

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