Kandinsky Lines & Angel (Improvisation 28)


Representing more of the “spiritual in art” is Kandinsky’s Improvisation 28 (Second Version) (1912) now on view at Visionaries: Creating a Modern Guggenheim. Its apocalypse is in a “storm from paradise” kind of mode. In the artist’s composition theory, it is the sound of the part that stamps the whole, not vice-versa. The diagonal lines in the center of the picture give the painting its dynamical force. I’m pretty sure that, slightly bird-like, that’s an angel’s wing caught up in and contributing to the movement of the whole.


About zjb

Zachary Braiterman is Professor of Religion in the Department of Religion at Syracuse University. His specialization is modern Jewish thought and philosophical aesthetics. http://religion.syr.edu
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